I’ve been meaning to do this post since last summer – but better late than never! This is an insight into one of the magistrates I studied for my PhD, which includes a look round his house…
Sir Richard Colt Hoare was a Wiltshire magistrate, a member of the banking family. Born in 1758, he inherited the family estate of Stourhead, near Mere, on the Wiltshire/Somerset border.
Hoare was, as was typical for a rural justice, a member of the landed gentry. He professed sympathy for the rural poor, yet was, by his own status, somewhat distanced from them.
His attitude expressed a dichotomy amongst the magistrate; he commissioned portraits of the poor, showing them as both innocent and vulnerable and thus displaying publicly his empathy towards them.
However, he also kept man-traps in his house and made out lists of poachers who had been caught taking game from his lands.
Hoare’s ambivalence and contradictions perhaps reflected his own background. Although gentry, his status reflected the changing nature of the magistracy over the late eighteenth and early nineteenth centuries.
The increasing workload of the rural magistrate was leading to the JP being drawn from a wider social group than previously – for example, a growing number of magistrates were now from a clerical background.
Hoare’s money was new(ish) money; he was descended from the founder of the bank, C. Hoare and Co. Unlike many gentry magistrates, Hoare was not educated at Oxford or Cambridge, and did not get admitted to one of the Inns of Court, a popular form of education for young gentlemen.
Instead, in his mid-20s, he inherited Stourhead, and indulged his passions for archaeology and travelling. But he was also a magistrate for decades – his notebooks covering the period between 1785 and 1834 – and High Sheriff for Wiltshire in 1805.
How accessible he was as a magistrate is debatable. He spent a lot of time travelling both in Britain and across Europe, and translated classical works.
He was certainly not always present at Stourhead, and in his absence, local people had to either travel further to another magistrate, or resolve their issues within their community rather than seeking the mediation and arbitration of a justice.
Hoare was also concerned with appearances. He set his grand library up as his justicing room, where he would received those members of the local community who wanted him to resolve their disputes, or to report offences such as thefts and assaults.
This library must have appeared intimidating to callers. It was lined floor to ceiling with books – both antiquarian works and legal manuals, bound copies of statute law and books on local history.
But the most fundamental issue was access to the justicing room itself. Hoare constructed an exterior staircase entering into the room, so that callers would have to queue outside – regardless of the weather – rather than traipse through the interior of Stourhead to reach the room.
This does not suggest that Hoare saw himself as champion of the poor, or friend of the poor. Instead, it suggests that he was at a distance from those who came before him, and was keen to preserve that distance.
Those of equal status to himself may have been allowed to set foot in other rooms, but those who came before him charged with poaching, or other forms of theft, and who were drawn largely from the humblest ranks of rural society, knew their place as soon as they lined up on that staircase.
That is why visiting Stourhead is so valuable; the gap between the image the magistrate wanted to present, and the complex reality is clearly visible in the contrast between grand library and the small flight of stairs outside it.
For more information about the Hoare family, see the National Trust’s page here.Tweet